Review: Spotlight

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Spotlight won’t win the awards it deserves this weekend. Oscar will overlook this film as it looks to The Revenant to wow Hollywood and the world beyond. I’ve written several times about The Revenant already this year and how I have been blown away by it’s achievements but Spotlight may be the better film.

Spotlight does what any film should. It tells a story really well. While Leonardo DiCaprio was eating raw bison liver and using a horse for a sleeping bag this group of fine acting talent were playing the roles of journalists investigating a story that shook the world. Did Leonardo do a great job absolutely, but this group excelled.

The difference in the two films to me is that The Revenant tells a fairly simple revenge tale through the blurred lens of multiplex action and arthouse wonder. Spotlight however tells a multi layered and difficult story in the most simplistic of ways.

Each member of this ensemble (the buzz word of moment among critics)  cast plays their part to perfection from Michael Keaton leading the team in the role of Robby Robinson to Mark Ruffalo’s intrepid Mike Rezendes it is really hard to define who is the lead in the piece. Nobody involved attempts to take centre stage. The real life story of Spotlight was a team effort and the film very much reflects that through its cast.

The Spotlight tale is well documented by now and it is hard to write anything close to a review without getting into ‘spoilers’ on some level. Spotlight is the true story of how the Boston Globe investigative journalist team  uncovered the massive scandal of child molestation and cover-up within the local Catholic Archdiocese, shaking the entire Catholic Church to its core is well known to many by now. The uncovering of these horrendous acts spread right across the globe and had an impact far beyond Boston.

While the church is the clearly the culprit the film does not demonise the institution completely. Instead time is taken to acknowledge that all players involved knew the dark truth deep down but looked the other way.

A special mention must be given to Liev Schreiber for his portrayal Marty Baron the outsider who interrupts the Globe’s world with no interest in the Redsox baseball team and due to his Jewish roots no link to the Catholic church. He is the key to the abuse being uncovered as he subtly refuses to let the story go and gently encourages the team to take it on.

This film is also a wonderful nod to a time we have lost memory of in our high spped broadband world. A time piece showing the way journalism used to be just before the internet era exploded and widened all our horizons (for better or worse). These journalists had to work for their story. There were clippings to be read, physical files to lifted from storage units and trollied to recipients, doorsteps to be walked on. True investigative journalism is the hero in this tale. Pre Google and long before the term click bait headline was even conceived this film salutes those who worked harder for their craft than those that walk the same beat today. I as a blogger am proof that anyone can attempt to write but Spotlight shows the value of true journalism.

With the Oscars this weekend to would be lovely to think Spotlight stands a chance.

The Revenant will more than likely prevail but there would be no complaints from me if Spotlight managed to take the limelight for itself.

 

 

Room: Innocence lost to wider horizons

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Lenny Abrahamson’s Room is a stunning piece of work. Revolving around the story of Jack (Jacob Tremblay) & Ma (Brie Larson) this tale is simultaneously harrowing and uplifting and will surely be in most end of year polls for film of the year.

Continuing 2016’s cinematic theme of overcoming the odds (which I have previously blogged about) Room is the story of mother and son escaping imprisonment and returning to ‘normality’ and the embrace of their family.

The key to the film is  Trembelay in the role of Jack. He is the hero of the piece and the reason for Ma’s desire to escape. It is Jack who, having known nothing else but Room his entire life, adapts best to the outside world. Ma struggles with the new reality, her family struggle with their guilt over what happened and yet Jack endures.

Jack is the one who arguably has the most to overcome. Everything he knew is blown away once he escapes Room. Sky, trees, dogs, other people all are new and all are to be explored. He has the most to overcome and yet he shows the courage and heart to change.

There is something within us as humans that can adapt, change, evolve to whatever circumstances we encounter. It is important to acknowledge that this occurs at differing speeds for all of us but we all have the capacity if we are so minded.

Recently I have been challenged in my faith by many different things. Podcasts, books, conversations with friends. As I wrestle with what my faith is about and what my understanding of who or what God is these new elements have been very useful.

It’s far to dramatic to describe what I’m experiencing as a deconstruction of my faith. I haven’t lost anything. I may have changed my thinking on certain issues but to my mind this is not loss but gain.

I’m grateful for the new voices I have encountered. I’m thankful for their influence and their input into who I am becoming.

For too long my faith has been held within a small compact Room-like space. It’s time to go bigger than that and step out into the unknown.

 

Some podcasts I have been listening to recently that I’ve given reference to above:

The RobCast

HomeBrewed Christianity

Freestyle Christianity

Revolution Church