If you’ve read anything about Green Room you would probably be quite surprised to see a review on a blog under the moniker of Films and Faith.
This is the beauty of film festivals. The opportunity to see something outside of the norm. Outside the comfort zone. Incidentally if you are looking for a cinematic comfort zone Green Room is certainly not the film for you. I’m not normally one for gore inflected thriller/shocker but the promise of Patrick Stewart as the head of a neo-Nazi gang was too good to pass up.
Green Room is the follow-up to 2013 film from Jeremy Saunier Blue Ruin (currently available on Netflix if you want to check that out) set firmly in the revenge thriller genre . To follow this up with a film like Green Room indicates that Saunier has a love and great knowledge of genre and he has no intention of letting up.
Unsigned punk band the ‘Ain’t Rights’ are booked to play an impromptu gig at a seedy bar in the middle of nowhere frequented by a neo-Nazi gang. When they accidentally witness a murder the band find themselves in a fight for survival and look to escape from the maniacal grasp of gang lead leader, played with ice cool menace by PAtrick Stewart.
I don’t want to say much more as to go into detail of incidents and deaths (of which there are many) would give too much away. Suffice to say I sat in my seat for 90 mins all sense on high alert and feeling the tension on-screen. The audience joined in with appropriate noises of disgust and awe making the film one of the most enjoyable audience experiences I’ve had in a while.
This is a film that has you on the edge of your seat from early on. Once the characters are defined and the setting complete the fun begins and it doesn’t let up until the final few minutes when all is resolved and daylight breaks through.
It may shock readers when I say I really enjoyed Green Room. I winced, I fidgeted, I tried (at points) had my fingers in my ears as a defence mechanism but I had a really great cinema experience.
Certainly Green Room will be too much for some, one couple in front of me had enough around the hour mark, but if you can stomach it Green Room will not disappoint.
Green Room is on general release from 13 May
Closet Monster is a coming of age tale, with a dash of body horror and a talking hamster (voiced by Isabella Rosselini). That alone should give an indication of the originality of this film.
Oscar (Connor Jessup) is attempting to escape his dead beat town, discovering his sexuality and attempting to deal with the damage caused by the breakdown of his parent’s marriage. This Molotov cocktail of emotion and hormones is from the film’s early exchanges only set to end one way.
After witnessing a hate crime, at an early age, the struggle Oscar feels is partly brought on by his father who, although loving towards his son, advises him to get rid of his floppy long hair in case someone mistakes him as gay. The lasting impressions of this throw away comment and the event surrounding it have a profound and lasting effect on Oscar and the physical churning of his guts at various points provided a few interesting body horror moments that I was genuinely surprised and impressed by.
In his attempts to escape his town Oscar will also escape his father who as the film progresses becomes more monstrous is also an excellent depiction of families. The early moments of the film show a child in awe of his Dad but as he grows older Oscar is more aware of the flaws of his father.
Closet Monster is not a perfect film. The coming out of Oscar, while interesting, is never fully formed. The father son conflict we expect from this event never quite arrives. Plenty of build is given to allow this expected confrontation but it never quite lands bar a couple of brief encounters.
Aaron Abrahams in his role as Oscar’s father is clearly struggling with what he is learning about his son but this is never fully dealt with on screen. The monster we expect never fully arrives. Oscar sees himself as the monster of this piece and his internal wrestling is interesting to a point but it always felt as if he needed further antagonism from his father to fully flesh this out.
A great electronic soundtrack really helps to enhance party sequences and sexual encounters.
This voyage of discovery is interesting and impressive when compared to some of its cinematic kin. It is however not as fully formed and developed as it could be and this is what (for me) stops this film from being great.